SUNDAY
November 10, 2019 | doors at 8:00pm
Sharing is Caring
Triple Ds presents:
STONEFIELD
Goon
  • $12
  • $12
  • ADVANCE
  • DAY OF SHOW
Stonefield
It all started in a shed.
More specifically, it started in a shed on a family hobby farm in a tiny rural township in Victoria, Australia.
The four Findlay sisters, who’d go on to become the earthen psych-rock opal that is Stonefield, had been granted their wish of a drum kit by their parents, whose Zappa, Hendrix and Zeppelin records had long been the shared soundtrack of the household. Amy – the oldest Findlay, though at that time just 15 – took a particular shine to the kit and soon began lessons, her practice sessions echoing out across the family’s acreage. It wasn’t long, however, before her sisters were drawn back into the shelter as, one by one, they found their own instruments to wrangle with. Hannah, then 13, started on guitar. Sarah, 12, took on the keyboard. Holly, just seven years old, listened in on her sisters practicing and, perhaps hearing that something was missing, asked her father for a bass.
Stonefield’s first song ‘Foreign Lover’ was recorded for a project Amy was working on as part of her tertiary studies. When they arrived home from the studio that day, the siblings’ mother suggested they enter the track in triple j’s Australia-wide unsigned band competition, Unearthed High. The deadline for entries was that night. They weren’t convinced they had a chance, but decided to give it a shot.
Soon enough, ‘Foreign Lover’ was all over triple j, followed shortly by infectious rock stomper ‘Through The Clover,’ the song they were given the opportunity to record as part of the competition’s first prize. Stonefield was invited to showcase at the inaugural One Movement music and arts conference in Perth, which resulted in [renowned band booker] Martin Elbourne, inviting the band to play the 2011 Glastonbury Festival on the spot.
Over the next two years, the girls wrote and released their second EP Bad Reality. They released their debut self-titled album in October 2013. It entered the AIR charts at #6 and the ARIA charts at #21. The three singles released from the album, including Put Your Curse On Me, received immense support from triple j, and the Southern Cross Network, including MMM.
The album was well received by both the industry and general public. Such was the demand that Stonefield embarked on a national tour, spanning 22 dates and 5 states. The second single Love You Deserve took up a life entirely of its own, and the band set out on yet another tour.
By this time, the international market had caught wind of the incendiary band from rock journo heaven, and the girls headed to the UK during May to play showcases, as well as Dot to Dot festivals across the UK. In November 2013, Stonefield won the inaugural Age Music Victoria Award for Best Regional Act.
After a huge amount of touring the country last year, 2015 kicked off with the band being awarded 'APRA Rock Work Of the Year' for their song 'Love you Deserve'. Stonefield secured the support slot for one of their idol bands Fleetwood Mac in November and kicked off 2016 with a memorable US tour around SXSW, making waves across the South West. Later this year will see the sophomore release from Stonefield. The first taste ’Stranger’ is an exciting glimpse of the new music to come.
Goon
The walls of Kenny Becker’s apartment are vivid landscapes of color. The frontman of the LA-based indie rock quartet Goon is also an accomplished painter, and he surrounds himself with the fruits of his labor—a series of landscapes, portraits, and abstract pieces united by the vibrancy of their shared primary color palette.

Many of these lively pieces, however, were made at a time when the artist felt anything but. Becker suffers from a rare medical condition that periodically deadens his sense of smell and hearing, which for years shaded his day-to-day life with a dull pallor. “I basically just felt sick all the time,” says Becker. “When it gets really bad, I can’t even taste.” The paintings, therefore, are, like his music, aspirational—embedded with a sense of longing for something known but not always felt.

In the middle of the room—the centerpiece of an otherwise spartan setup—is Becker’s home studio. A small arsenal of guitars, synthesizers, tape machines and recording equipment surround the desk where he wrote and recorded Goon’s latest EP, Happy Omen, a collection of emotive, cautiously optimistic songs about longing, loneliness, and self-doubt. A standout track, the gorgeous, soaring “She,” was chosen by Grizzly Bear frontman Ed Droste as the first track on his “Favorite Songs of 2017” Spotify playlist.

The slow-burning Omen is a sonic counterpoint to Goon’s first release: 2016's Dusk of Punk, a grittier, sludgier outing that paired Becker’s distinct DIY aesthetic with his formidable songwriting chops and affinity for earworm melodies. This winning combination earned high marks from Rolling Stone, Spin, Fader, and BBC Radio Six.

The two self-released EPs will be reissued together as a package this year by Partisan, who will also release the bands’ debut full length, due in early 2019. The LP sees Becker stepping out of the bedroom and into the studio with bandmates Drew Eccleston, Caleb Wicker, and Christian Koons, who, together, continue to build on Goon’s reputation as one of LA’s must-see live acts.

In the meantime, Becker is newly optimistic. A recent successful surgery drastically improved his symptoms, and the effects were felt almost instantly. “I knew it worked as soon as I woke up,” says Becker. “I feel like I’ve entered a new chapter of health.”

show-flyer
Thu.10.24.19

Fri.10.25.19

Sun.10.27.19

Mon.10.28.19
JUST ADDED!

Tue.10.29.19

Wed.10.30.19

Thu.10.31.19

Fri.11.1.19

Sat.11.2.19

Sun.11.3.19

Mon.11.4.19

Tue.11.5.19

Thu.11.7.19

Sun.11.10.19

Mon.11.11.19