FRIDAY
November 30, 2018 | doors at 7:30pm
Sharing is Caring
Chunklet Industries presents:
H2O50 PARTY NIGHT 1
MERCYLAND HISTORICAL ABSTRACT
THE GOTOBEDS
Air-Sea Dolphin | Honey Radar | 86
SET TIMES:

12:00 Mercyland Historical Abstract
11:00 The Gotobedds
10:00 Robert Schneider
9:15 Honey Radar
8:30 86

Two Stage Pass for The EARL & 529 available here: TWO STAGE PASS 11/30

Henry Owings is turning 50. Big effin’ whoop-dee-doo!
In an attempt to REALLY REALLY have a great party, Henry is digging back into his 30 years of being in the music biz and having nothing but his friends perform in a multitude of cities, at a multitude of venues and, yes, even a show at his old stomping grounds Whirlyball Atlanta.
There’s bands that haven’t performed in the South for 20 years, there’s a band that hasn’t played for 30 years, new bands, old bands. And yes, there will still be some suprises.
It is a birthday after all.
Wristbands will be available on a first come first served basis.
Any profits will go to the Innovation Law Lab!
  • $20
  • $25
  • ADVANCE
  • DAY OF SHOW
MERCYLAND HISTORICAL ABSTRACT
The Gotobeds
Give me a minute or three to extol the virtues of The Gotobeds, the modern rock and roll sensation that has always sounded like they love to play. Never maligned by having the world’s weight on their backs, The Gotobeds - Cary, TFP, Eli and Gavin - return to the fray with their third full lengther, ‘Debt Begins at 30’. The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds - as Pittsburgh as it gets, the folk music of the Steel City - have more tar for us to swallow. Debt Begins at 30 is an old-fashioned blast furnace and the liquid iron flows. Debt Begins at 30 is not “pub sop” in any way or shape.

Though I never considered The Gotobeds a band that needed assistance from their peers, Debt Begins at 30 features outside contributors on every track. The album’s first single, “Calquer The Hound,” includes local buddy Evan Richards, and Rob Henry of Kim Phuc. “Calquer The Hound” has euphony, a sly bridge, plenty of trademark bash, and a spacey outro. It’s a sanguine album opener, more Al Oliver than Starling Marte.

On “Twin Cities,” the lads tap Tracy Wilson, formerly of Dahlia Seed and currently of Positive NO!, to share the vox, and the result is an exuberant pop song proving The Gotobeds benefit from women ruling the scene. “Twin Cities” is more Dakota Staton than Don Caballero. “Debt Begins at 30,” the title trackular, includes the wizardry of Mike Seamans and legend Bob Weston. It’s a brooding romp with tribal beats and slash-and-burn guitar, more Rocky Bleier than Le’Veon Bell.

Unsurprisingly, The Gotobeds called partners-in-rock-crime Protomartyr a coupla times, with Joe Casey bolstering “Slang Words” and hook-fiend Greg Ahee shredding on “On Loan.” “Slang Words” is a savory wrecking ball with a crunching bite, more of a soft shell crab sandwich from Wholey’s Market than a 4am slop feast at Primanti Brothers. “On Loan” is an anthemic jangle-fest with high-arcing fret work, more Karl Hendricks (rest his soul) than “Weird Paul” Petroskey.

Silkworm guitarist Tim Midyett is tapped on “Parallel,” a grand song that enters a world of whimsy, melodic and uncomplicated, more Jaromir Jagr than Sidney Crosby. The likes of 12XU label boss Gerard Cosloy, Tre Orsi’s Matt Barnhart, the wonderful Victoria Ruiz of Downtown Boys, Pittsburgh wordsmiths Jason Baldinger and Scott MacIntyre, and yours truly strut stuff on other tracks. In my case, I just scream “dross” on “Dross” several times. Good judgment on the part of The Gotobeds to know that’s the best I can do, more Max Moroff than Andrew McCutchen.

Anyways, The Gotobeds have quickly reached the veteran stage, but, based upon Debt Begins at 30, their best days are ahead of them. It’s a pleasure to be associated with such an excellent band.

–Bob Nastanovich, 1/13/2019, Des Moines
AIR-SEA DOLPHIN
Honey Radar
"Not sure if it's layered solo work or a group or what, but it's great short pop spasms owing equal debts to early New Zealand's South Island groups and Guided by Voices." --The Wire


"Honey Radar sound like a low-budget Clientele, all major-key arpeggios somewhere between psych and Felt." --Still Single
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