WEDNESDAY
June 13, 2018 | doors at 8:30pm
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Triple Ds presents:
LA LUZ
Timothy Eerie | Midnight Larks
  • $15
  • $15
  • ADVANCE
  • DAY OF SHOW
La Luz
For most, a brush with death would be cause for retreat, reflection, and reluctance, but Seattle band La Luz found something different in it: resilience. Having survived a high-speed highway collision shortly after releasing their 2013 debut LP It’s Alive, La Luz, despite lasting trauma, returned to touring with a frequency and tirelessness that put their peers to shame. Over the past year-and-a-half of performing, the band arrived at a greater awareness of their music’s ability to whip eager crowds into a frenzy. In response, frontwoman Shana Cleveland’s guitar solos took on a more unhinged quality. The basslines (from newly-installed member Lena Simon) became more lithe and elastic. Stage-dives and crowd-surfing grew to be as indelible a part of the La Luz live experience as their onstage doo-wop-indebted dance moves.

When it came time to record Weirdo Shrine, their second album—due out August 7th—the goal was to capture the band’s restless live energy and commit it to tape. In early 2015, Cleveland and Co. adjourned to a surf shop in San Dimas, California where, with the help of producer/engineer Ty Segall, they realized this vision. Tracking most of the album live in shared quarters, La Luz chose to leave in any happy accidents and spur-of-the-moment flourishes that occurred while recording. Cleveland’s newly fuzzed-up guitar solos—which now incorporated the influence of Japanese Eleki players in addition to the twang of American surf and country—were juxtaposed against the group’s most angelic four-part harmonies to date. The organs of Alice Sandahl and the drumming of Marian Li Pino were granted extra heft and dimension. Thematically, Cleveland channeled Washingtonian poet Richard Brautigan on “You Disappear” and “Oranges,” and sought inspiration from Charles Burns’ Seattle-set graphic novel Black Hole.

The resulting album is a natural evolution of the band’s self-styled “surf noir” sound—a rawer, turbo-charged sequel that charts themes of loneliness, infatuation, obsession and death across eleven tracks, from the opening credits siren song of “Sleep Till They Die” to the widescreen, receding-skyline send-off of “Oranges” and its bittersweet epilogue, “True Love Knows.”

In describing Weirdo Shrine, Segall remarked that it gave him a vision of a “world…burning with colors [he’d] never seen, like mauve that is living.” In “Oranges,” the Brautigan poem which inspired the aforementioned track of the same name, the poet writes of a surreal “orange wind / that glows from your footsteps.” These hue-based allusions are apt: the sound of La Luz is (appropriately) vibrant, and alive with a kaleidoscopic passion. Weirdo Shrine finds them at their most saturated and cinematic.
TIMOTHY EERIE
Timothy Eerie
It’s no accident that the name Timothy Eerie is so close to Timothy Leary, this is the aural equivalent of two tabs and a trip down the rabbit hole... Born out of the sacred swamps of Florida and currently sifting through the sands of Austin Texas these technicolor lads have been kicking around the underground since 2016 and have made quite a name for themselves in a short period of time. Like many of the bands of this genre there has been a revolving door of players, but that only lends to the mystique of Timothy Eerie’s sound. Their newest EP, It's Always the Same, came out on Ghost Drag Records and a full album is expected to be released later this year.
Midnight Larks
'The Midnight Larks are a surf noir, dark country and garage-psych trio from Atlanta, Georgia that have had a very successful first year together. They were just named best new Atlanta band by Stomp and Stammer, listed as one of the 55 most anticipated local albums of 2016 by Immersive Atlanta, and have also received several features from Creative Loafing after sharing bills with bands like Shannon and the Clams, Lee Bains III & the Glory Fires and the Coathangers. They are a local favorite and have been invited to play several festivals like Lakewoodstock, Phoenix Fest, the East Atlanta Strut and the Little 5 Points Halloween Parade.

The band hails from Atlanta, but their roots are much further based. Sasha Kaleidoscopia Vallely being from Birmingham in the UK, Nikki Speake from Dadeville, Alabama and Pietro Di Gennaro from Baltimore, Maryland.
Sasha (formerly of Spindrift, The Warlocks and The Mobsters; cameos with The Brian Jonestown Massacre, Singapore Sling, Lords of Altamont, as well as with members of Portishead and Massive Attack), Nikki (Whistle Bait, Virgil Otis, Sioux City Sue and 30 Year Old Women From Mars) and Pietro (Black Linen, The Booze, The Forty Fives, Bad Spell and Andrew & the Dyspyramids) were thrown together by fate, a PBR representative, good fortune and a love for great music. They have only played together briefly, but are already producing an exciting sound and new buzz -- ready to take Atlanta and the rest of the world by storm'
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