TUESDAY
October 3, 2017 | doors at 8:00pm
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Triple Ds and OK Productions present:
REIGNING SOUND
Tiger! Tiger!
  • $17
  • $17
  • ADVANCE
  • DAY OF SHOW
Reigning Sound
Reigning Sound’s principal songwriter/member is Greg Cartwright, who’s been leading the shifting cast of characters since 2001. You may be familiar with some of the band’s work, as this album is preceded by five studio efforts as well as numerous EPs and live records. Or perhaps some of Greg’s other projects have been on your musical radar: The Oblivians, Parting Gifts, Compulsive Gamblers, 68 Comeback, Deadly Snakes, Detroit Cobras.

Shattered will be Reigning Sound’s first album for Merge and the first full LP by the group since 2009’s Love and Curses.

Regardless, as far as Reigning Sound is concerned, this is as good a place to start as any because through many line-up changes and mood swings, the central, constant feature is the way Greg writes songs. This particular embodiment of the band includes longtime keyboardist Dave Amels, who joined the band seven years ago when Reigning Sound recorded an album, consisting mostly of Cartwright’s songs, with former Shangri-Las lead singer Mary Weiss.

Dave proved to be key in putting together the current line-up as well. About three years ago, Greg was asked to make a promotional EP for Scion. Recordings were set to take place in Nashville where he had lined up two local friends to round out the band, but as fate would have it, both had to bow out at the last minute. Luckily, Mike Catanese, Benny Trokan, and Mikey Post—Dave Amels’ bandmates in Brooklyn soul group The Jay Vons—were up for the task. The four flew to Nashville, learned the songs, and recorded them with Greg in a couple of days. Thus was born the group that you hear on Shattered. They’ve been touring and playing together ever since, and Shattered proves that the musical union is both exciting and consistent for fans of Cartwright’s songwriting.

The album was recorded at Daptone’s Brooklyn studio (where drummer Mikey works in the office) and masterfully engineered by Wayne Douglas. The recordings are warm and punchy, a mixed bag of rockers, ballads, and something in between. There are only 11 songs on the album, but the band reckons it’s just right.

Shattered is to be released by Merge on July 15, 2014.
Tiger! Tiger!
"With a refreshing dollop of confident restraint, Tiger! Tiger! hurls a cohesive sonic menace that equals Aguero's tough-girl image (one that looks as if this chica could cut ya just as easily as flash ya that infectious ruby-red smile)." - Flagpole Magazine

"…It's what you might call "bar music," if more bars actually cut loose enough to play stuff like this. But there's just enough danger here to ensure that they won't." - Atlanta Journal & Constitution

Since 2005 Tiger! Tiger! has become an important figure in Atlanta's underground music scene, working at the cross roads of garage rock, punk and R&B. The group's second full-length, The Kind of Goodnight is a catty and cool collection of retro rock and roll rhythms that dive headlong into the dark side of the tensions that bind and repel the sexes. The album is by turns sultry and frenetic, obsessive and triumphant as vocalist, guitarist and principal songwriter Buffi Aguero cruelly croons away, kicking at the rubble of love in the ruins. Sam Leyja (organ), Susanne Gibboney (bass, vocals), Mario Colangelo (drums) and Shane Pringle (guitar, saxophone, vocals) craft a gritty and careening big beat that wanders into the most menacing parts of the ego and the soul. This is the battle cry of strength, reckoning and psychological vengeance that kicks like a Stiletto to the guts. Each song tells a tale of hurt feelings, deceit and rising above with extreme prejudice.

Opening number, "Stand In" is a Velvet Underground inspired ditty that serves as a primer into the simple, powerful plod of the group's pace. And yes, "Garage rock" is the inexorable catch phrase of Tiger! Tiger!'s approach. It is a dominate strain in the group's genetic make-up, which makes sense. Aguero also plays drums for Atlanta's long-standing garage rock legends the Subsonics (who will be featured on a split 7-inch with the Black Lips later this year on Rob's House Records). Songs like "Black Daggers" and "Cheap Imitation" are not only cut from the same cloth as younger ATL siblings the Black Lips, the Carbonas and the Coathangers, the group contains fragments of the same cornerstones upon which new Atlanta is built.

Tiger! Tiger! draws power from real life experience, and even though there are more than three chords bounding throughout each song, the impact of it all remains in a direct and uncomplicated channeling of very complicated emotions. Dueling frontwomen Gibboney and Aguero bring the pressure to a fine point - the wrath of not one, but two women scorned has never been so enticing.

Goodnight is an exercise in catharsis and sheer triumph of will, but it is so sculpted from so much more than spun-out punk aggression. Pringle's restrained saxophone blasts in "Cheap Imitation" reveal hidden layers in the music that summon an affinity for the artful bend of '70 post-punk and '80s new wave, but it all comes back together in Leyja's long, sustained organ drones and staccato rhythms. "How Much Can You Take" and "Seaside Romance" sidestep the explosive connotations of such punchy and ragged descriptors to follow the course of a slow burn that is no less volatile, and The Kind of Goodnight is white hot.
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