SATURDAY
August 8, 2015 | doors at 9:00pm
Sharing is Caring
Tight Bros. Network presents:
LITTLE TYBEE
ORYX AND CRAKE
  • $10
  • $10
  • ADVANCE
  • DAY OF SHOW
Little Tybee
Little Tybee is a progressive psych-folk band based out of Atlanta, GA. Formed in 2009, the group has bridged existing genres into their own brand of calculated, creative, and technical music, which refuses to sacrifice musicality and accessibility. The release of their third full-length album, For Distant Viewing (Paper Garden Records), and the band's touring in both the US and abroad not only cemented their penchant for clean orchestration, but also provided the meaningful relationships and experiences essential for fueling future creativity. As a complement to the technical precision of their live performances, Little Tybee maintains an active online presence with a reputation for self-producing high-quality video content.

The group is comprised of six members, most of which have been playing together in various groups for more than ten years. The bulk of the compositions in the band's ever-growing catalog start out as seedlings in the mind of lead singer/acoustic guitarist Brock Scott and are then fleshed out with the eccentric eight-string guitar wizardry that could only come from Josh Martin, the classical flare of Nirvana Kelly's violin and viola, the deep pocket grooves of Ryan Donald's electric bass, the percussive explosion of Pat Brooks' gospel-tinged beats and are all rounded out by Chris Case's silky smooth, yet driving keyboard arrangements.

Little Tybee faces 2015 with the recording of their fourth studio album.
Oryx and Crake
A commitment. An adventure. A journey. People use these words all the time in relation to marriage, in vows and explanations and elegies. So, too, do husband and wife Ryan Peoples and Rebekah Goode-Peoples of Atlanta’s Oryx & Crake. Though, chances are, they mean it in a totally different way.

“There’s a beast in me/and I know you know this,” Ryan sings on “Strange as You Are,” the opener of the band’s latest album, Marriage. But knowing and seeing are two different things entirely, and Oryx & Crake make hay of the tension that lies between the two, loading on Patterson Hood’s “duality of the Southern thing,” abandoned religion and nods to more than one of the great post-apocalyptic novels of our time for good measure. Ostensibly, Marriage is about commitment — in a broad sense, not just between romantic partners — but it’s even bigger than that. Marriage is also about ambivalence.

For an album to tackle such big and slippery themes, it almost has to be cinematic, and in that regard, Oryx & Crake do not disappoint. Marriage displays the grandeur of Arcade Fire’s finer moments with the lyrical and emotional heft of Sufjan Steven’s more personal cuts. Tracks like “The World Will Take Care of Me” show off the group’s range, beginning with nothing but a voice and a guitar and gradually sneaking inlayer after layer of sound, creating a sense of something rich and organic, which permeates the album.

Crafted in the Goode-Peoples home over the course of four years (and blooming with little intimate Easter eggs, like a recording of their friends singing at a Christmas party, or the voices of their children), Marriage sounds much bigger than the rooms it was made in. This is thanks in large part to strings from Matt Jarrard (cello) and Karyn Lu (violin), as well as Ryan’s sound designer tinkerings with audio both “found” around the house and created.

Such big sounds, themes and richness of detail could have made the record sag under its own weight. But Rebekah — who did her masters work in epics — helped give it structure in the well-worn fashion of the classics. The songs, like the epics, move in cycles — from the first blush of a thrilling new thing to the “underworld moment” of “The Well”’s dirge-like crawl to the woozy singing saw and blistered toes of closer “The Road,” which tips its hat at — who else? — Cormac McCarthy.

The album art, by Bo Bartlett, is the perfect visual representation of the multi-layered themes on Marriage. On the front, in “Car Crash,” a couple embraces beside a crunched and overturned car, under an ochre sky. On the back is that painting’s equal and not-quite-opposite, “A Miraculous Outcome.” It’s exactly the same scene, only now the sky is blue and fairly clear. It’s “The Well” versus “The Road,” two sides of a coin that will be familiar to anyone who’s ever stuck it out – whatever “it” is.

It’s not the kind of journey that looks great on TV. But it’s an important one. Because it’s real.

Marriage will be released September 25 on Deer Bear Wolf.
show-flyer
Fri.5.24.19

Sat.5.25.19

Sun.5.26.19

Thu.5.30.19

Fri.5.31.19

Mon.6.3.19

Tue.6.4.19

Thu.6.6.19

Fri.6.7.19

Sat.6.8.19
JUST ADDED!

Sun.6.9.19
JUST ADDED!

Mon.6.10.19
JUST ADDED!

Tue.6.11.19